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International Jury |
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Natalia Orlova (Russia) |
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Born in 1948, finished Art School attached to the
Moscow Art Institute in 1967, then in 1973
Artistic Department. Since she has worked as an
Art Director at “Soyuzmultifilm” Studio (5 films).
In 1982 she was awarded as Art Director the State
Prize of Russia for the film “The secret of the
Third Planet”.
In 1983-5 she studied at the Higher Directors’ and
Scriptwriters’ Courses, Animated Film Department.
Since 1985 she has been working as a Film Director
at the “Soyuzmultfilm” where she made several
films. In 1993 she took part in creating of 2
films of “Shakespeare – Animated Tales” series
together with S4C (the UK) for Christmas Films.
She is art supervisor at “Animose” film and video
studio.
Selected Filmography and Awards:
“Hamlet” (U.S.A. – EMMI – for the best animation
and EMMI – for the best design; the Gold Medal at
the International Festival, New York, 1993).
“King Richard III” (1996 – World Medal at the
International Festival in New York (U.S.A.).
At “Man and Time” Film and Video Studio she made
the animated film Moby Dick (Russia, Great
Britain, U.S.A.)
At “ANIMOSE” Film and Video Studio she made the
animated film “Timoon and the Narwhal” (Russia,
Great Britain, Canada, 2001 – Special Distinction
for a TV Series in Annecy). |
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Saeed Tavakkolian (Iran) |
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Born in 1952, Shirvan, Khorasan. After the high
school, left for UK to study art and work in the
fields of photography, multivision and animation.
After finishing higher education in design and
audio-visual communications, returned to Iran in
1981 and has been teaching theory and practice of
animation in IRIB Film School, Tehran University,
University of Arts, Islamic Azad University and
Islamic Center for Training Filmmaking. He is the
only Iranian member of the International Society
of Animation Studies and has had an active
presence in international animation festivals.
To continue his education, he went to Malaysia in
1995 and later obtained his license in methods of
teaching for adults from N.T.V. University of
Australia. He has been executive producer of a
sixty five installations of a program on animation
for Channel Four of IRIB and Saba Cultural and Art
Institution. Cinematography of animation film From
Infinity for IIDCYA and membership in the Juries
of the First and Second Tehran International
Animation Festivals are among his other
activities. He has been the head of animation unit
of IRIB Film School and has worked with students
and discussed the problems of animation filmmaking
with them. He is the author of a number of
articles about animation, has edited a collection
of articles on animation under the title Awakening
of Dreams simultaneous with the Second Tehran
International Animation Festival and translated
the book A Hundred Years of Animation by Alberto
Bendazzi (under publication). |
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Abi Feijó (Portugal) |
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Abi Feijó was born in Braga, Portugal in 1956 and
graduated from the Oporto School of Fine Arts. In
1984 he went to the National Film Board of Canada
for an animation internship, which resulted in the
short film Oh que Calma. Soon After, he founded
Filmógrafo, an animation studio based on the NFB
model of handcrafted auteur animation. The studio
has built an international reputation that extends
far beyond Portugal.
As a Director, Feijó explores a variety of
animation techniques, always with a carefully
written story. In 1993, he made The Outlaws, an
animation short using drawings on paper; this
political drama recalling a painful incident from
recent Portuguese history. It was followed by Fado
Lusitano (1995), a sort of self-portrait of
Portugal. In 2000, in co-production with RTP and
the French Program’s Animation / Youth Studio of
the NFB, he completed Stowaway, a sand animation
film whose richly textured image evoke the
difficult struggle for freedom.
At Filmógrafo, Feijó serves as producer and
artistic advisor. He also gives workshops and
training around the world. He was elected
president of ASIFA, the International Animated
Film Association in Oporto: A Casa da Animação
(The Animation House)
Filmography: How calm it is (1985), Time of
Darkness (1987), The Outlaws (1993), Fado Lustiano
(1995), Stowaway (2000)
Prizes: About 40 international Prizes and
honorable mentions among them:
Varna (1985), Bulgaria, Diploma of Merit for “How
calm it is”
Cinanima (1993), Portugal, Prize Cidade de Espinho
/ Cartoon d’Or (1994), Special Jury award /
Valladolid (1994), Spine, Golden spike / Annecy
(1995), France, Mention of Honor for “The Outlaws”
Cinanima (1995), Portugal, Critic’s Award / Anima
Teruel (1995), Spain, 1st Prize, for “Fado
Lusitano”
Golden Medal (1996), Portugal, for Cultural Merit
given by Oporto’s Town Hall
Castelli Animati (2001), Italy, Fabrizio Bellochio Prize for Social
Content for “Stowaway” |
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Katariina Lillqvist (Finland) |
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Katariina Lillqvist has worked as film editor,
scriptwriter, producer and director for about 15
years. She has studied film both in Finland and in
Czech Republic.
She has done mostly puppet animations, but her
work also includes documentaries and features for
TV and radio. In 1998 she together with other
professionals, she founded a production company,
Co-operative Camera Cagliostro.
Katariina Lillqvist is probably internationally
the best known Finnish animation artist. Her
films, like “The Chamberstork”, “The Maiden and
the Soldier” and “The Country Doctor” have won
several international awards (e.g. Silver Bear in
Berlin 1996). She works together with well known
Czech animation artists (Hafan Film Studio).
Filmography:
Marie (1991), Rider on the Bucket (1992), The
Chamberstork (1993), The Maiden and the Soldier
(1995), The Country Doctor (1996), Ksenia of St.
Petersburg (1999), Thunder Drum (2001), The Romany
Mirror (2001), Proloque: Tales from the Endless
Roads (2002), Song of the Gallows (2002), Legend
of the Black Sarah (2002). |
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Marcell Jankovics (Hungary) |
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Born
in Budapest in 1941, he has been working
in Pannoniafilm since 1960. He has been making
independent animated films since 1963, working
also as animator and graphic designer in films by
other directors, totaling several hundred
productions. Director and scriptwriter of many TV
series, e.g. “Gustavus”, “Hungarian Folk Tales”
and “Legends of Hungarian History”. Scriptwriter,
designer and director of three animated features
(“Johnny Corncob”, “The Son of the White Mare” and
“Song of the Miraculous Hind”) and a dozen of
individual short films. Owner of numerous
Hungarian and international awards (1974 – Balázs
Béla Prize, 1978 – Kossuth Prize, 1984 – Artist of
Merit, 1998 – The Order of Hungarian Republic –
Middle Cross).
He has been teaching animation for more than
twenty years, first at the Budapest Fine Arts
Secondary School, later at the Budapest College
(then University) of Applied Arts, where he is a
private tutor with DLA degree.
He wrote professional articles and books about
animation and art history, drew comic books,
illustrated books of fairy-tales, created film
posters. Formerly he made educational TV programs
on a regular basis. His play performed at the
Budapest Puppet Theatre under the title of “The
Bible of Babylon” was written, designed and
directed by himself.
He has been working on the animated adaptation of
Imre Madach’s “The Tragedy of Man” since 1989, by
fits and starts. So far, 12 scenes of the film
have been completed.
From 1995, member of the Hungarian Art Academy
From 1996, managing director of Pannoniafilm Ltd.
From 1998, president of the National Cultural Fund
1999-2001 scriptwriter, designer and director of
the film titled “Song of the Miraculous Hind”.
In 2000 he was awarded Honorary Citizenship of the
II. District of Budapest.
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